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    No. 7 (2024)

    Contents
    Editorial board
    Foreword

    Published: 2025-05-16

    Articles

    Aleksota by Seweryna Pruszakowa and Stanisław Moniuszko – a rediscovered link?
    Magdalena Dziadek    Radosław Okulicz-Kozaryn   
    4–25
    DOI: https://doi.org/10.56693/cr.162

    PDF

    Between sonata form and borrowing technique: the overtures of Stanisław Moniuszko
    Stefan Keym   
    26–39
    DOI: https://doi.org/10.56693/cr.163

    PDF

    Chopin under the sway of George Sand: controversies surrounding the Chopin Festival in Majorca (1930–1936)
    Amadeu Corbera Jaume   
    40–55
    DOI: https://doi.org/10.56693/cr.164

    PDF

    Chopin and the piano. A few remarks on a person’s relationship with an object
    Michał Bruliński   
    56–71
    DOI: https://doi.org/10.56693/cr.165

    PDF


    Reviews

    Review of Lorraine Byrne Bodley: Schubert: A Musical Wayfarer
    Kamila Stępień-Kutera   
    73–74
    DOI: https://doi.org/10.56693/cr.166

    PDF

    Review of Clive Brown: Classical & Romantic Performance Practice 1750–1900
    Michał Bruliński   
    75–80
    DOI: https://doi.org/10.56693/cr.167

    PDF

    Review of Susan Tomes: Women and the Piano. A History in 50 Lives

    Aneta Markuszewska   
    80–84
    DOI: https://doi.org/10.56693/cr.168

    PDF


    Publisher
    Narodowy Instytut Fryderyka Chopina
    ul. Tamka 43
    00-355 Warszawa
    tel.: (+48 22) 44 16 100
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