Chopin Review | Chopin Review

No. 3 (2020)

Published: 2020-12-15

Introduction

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3-4

DOI: https://doi.org/10.56693/cr.117

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Articles

The State of Research into the History of Piano-Making on Polish Soil. From the Introduction to the new edition of Fortepian polski (‘The Polish piano’)

Benjamin Vogel

6-12

DOI: https://doi.org/10.56693/cr.118

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Chopin’s Pedalling on Chopin’s Pianos – and Ours

James Parakilas

14-41

DOI: https://doi.org/10.56693/cr.119

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Nineteenth-Century Temperaments and the Music of Chopin

Jonathan D. Bellman

42-86

DOI: https://doi.org/10.56693/cr.120

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Prize Winners of the Young Scholars’ Chopinological Essay Competition 2019

A Fantasy about Sonata Form: Re-Examining Chopin’s Fantasy, Op. 49

Nicholas Kennedy

88-111

DOI: https://doi.org/10.56693/cr.122

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The Reception of Chopin – the Poet of the Piano – and his Music in Taiwan. An initial assessment, based on a questionnaire for choir singers

Kwen-Yin Li

112-139

DOI: https://doi.org/10.56693/cr.123

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A New Interpretation of Chopin’s Piano Music Through Performance of the Second Piano Sonata on Pleyel and Erard Fortepianos and on a Modern Piano

Jun Ishimura

140-164

DOI: https://doi.org/10.56693/cr.124

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Reviews

Review of Stewart Pollens Bartolomeo Cristofori and the Invention of the Piano

Larry Todd

163-170

DOI: https://doi.org/10.56693/cr.125

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Review of Claude Montal The Art of Tuning: A Self-Guided Manual for Piano Tuning, Design, Action Regulation, and Repair from mid-19th-Century France translated by Fred Sturm

David Rowland

170-173

DOI: https://doi.org/10.56693/cr.126

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Review of Paul Kildea Chopin’s Piano: A Journey Through Romanticism

Anna Chęćka

173-176

DOI: https://doi.org/10.56693/cr.127

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Publisher
Narodowy Instytut Fryderyka Chopina
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00-355 Warszawa
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